Mathew Timmons’ books include Joyful Noise for three or more voices (Jaded Ibis 2012), The New Poetics (Les Figues 2010), Sound Noise (Little Red Leaves, 2010), CREDIT (Blanc Press 2009), Lip Service (Slack Buddha 2008), and The Archanoids (a CD & booklet of solo and collaborative sound poetries 2010). Forthcoming projects include Where is it Written? (Imipolex Press), and After Darío (Phoneme Books). His visual and performance work has been shown at Weekend Gallery, Human Resources Gallery, Shoshana Wayne, Public Fiction, François Ghebaly Gallery, (323) Projects, LACE, Museum of Contemporary Art Denver, California College of the Arts, Outpost for Contemporary Art, ArtSpeak Vancouver, LACMA, UCLA Hammer Museum and as part of ArtLA. An active editor and curator, Mathew works as the General Director of General Projects, editor & publisher of Insert Blanc Press, managing editor of Joyland Los Angeles, Co-Host of LA-Lit 2005-2009, and has curated events, readings and ephemeral art shows for Hi-Lite, Beyond Baroque, Betalevel, Outpost for Contemporary Art, workspace, The Silver Lake Jubilee and REDCAT. His writing may be found in various journals including Mammut, Area Sneaks, Try, Or, Emohippus, Luvina, Aufgabe and The Encyclopedia Project; and his critical writing may be found in Artillery, ArtSlant, Artweek, The Magazine, The Poetry Project Newsletter, Molossus, L.A. Record, Art21 and X-TRA.